What Movie Do You Want To See?

Again, the Internet has lead to the creation of a blog entry and two articles are to blame. One article from the April 7 issue of CNet deals with a new app from FlickChart that offers movie recommendations based on the kind of movies you prefer. Another article from Roger Ebert’s blog deals with a best film list from a British film magazine Sight & Sound. What sets this best film list apart from other best film lists are two things:

1. Assorted film critics, directors, producers, film festival organizers, etc., are polled for their top ten all time best films and this is distilled into a best film list.
2. This list comes out once every ten years.

Well, as you can guess, these two articles got me thinking. Not so much about how art films and award winners seem to dominate these lists, rather it is how these lists are just reflections of the bias of those who put such lists together.  Those in the film industry would pick films they are familiar with. The app from FlickChart picks films based on one you already like. So, that leads to best of lists that contain films ranging from Shoot the Piano Player to Carrie.

Of course, bias in and of itself isn’t so bad. If you didn’t have things that you liked and return to time and time again (i.e. foods or activities) and vice versa, you wouldn’t have any order in your life. Still, it is important to note that these lists are not to be taken as fact. Yes, lists like Sight & Sound  and the one you make on FlickChart can help you make movie viewing choices, but they are not the be all or end all of best of lists. They are just a bunch of films that a group of people think are worth ranking.

So, don’t be surprised if art films and award winning films end up on best of lists. Critics, film festival organizers and other in the field have a bias and yes, a certain degree of film snobbery, for films in that genre.  After all you wouldn’t expect that Carrie or Porky’s would be on such a list. That’s why there’s your personal Netflix queue or FlickChart for when you are in the mood for such films. Your own best of list is reflective of your own bias.  Therefore, if watching a film like Porky’s helps you to forget your troubles, so be it.  The best “Best of” list is the one you personally make.

Sources:
http://howto.cnet.com/8301-11310_39-57410710-285/get-better-movie-recommendations/

http://blogs.suntimes.com/ebert/2012/04/post_5.html

 

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The 1970’s, The Greatest Decade in Film?

Over the years, I have read quite a few articles that state the 1970’s were the greatest decade in film. Yes, many directors made their mark in the 1970’s, such as Martin Scorsese, Francis Ford Coppola, George Lucas, Steven Spielberg, just to name a few. Also, there are a good number of films that were both commercial and critical successes, such as, The Godfather, The Godfather Part II, Taxi Driver, Network, again just to name a few.

Still, a lot can happen after a decade passes and films can fall into and out of favor. So, can any one decade be considered the greatest decade in film? Many say that 1939 is the greatest year in film, since that was the year films such as The Wizard of Oz, Gone With The Wind, Mr. Smith Goes to Washington and Wuthering Heights were released. Of course, just because many people say such a thing, doesn’t make it true. Also, as the years went on, some of those films seem dated and hokey to modern audiences.

For me, the jury is still out as to whether or not the 1970’s were the greatest decade in film. So, I’ll just take this opportunity to highlight what I think sets filmmaking in the  1970’s apart from other decades.

Directors were products of universities, not studios
Martin Scorsese graduated from New York University and he was a film major. Francis Ford Coppola majored in drama at Hofstra University and did graduate work in film at UCLA. George Lucas went to University of Southern California film school.  Steven Spielberg went to California State University Long Beach. This list of directors and where they went to school shows that unlike directors of the past they weren’t “apprenticed” under one director or just fell into directing.  The people mentioned above were exposed to not only the liberal arts tradition, they were also exposed to and examined French films, Italian films, German films, Japanese films, Hollywood films, art films and they were getting their hands dirty by making their own films. This exposure to many different movie making modes and being allowed to try out their ideas, lead to Hollywood movies that had a richness and depth that wasn’t there before.

Hollywood recovered from development of television
My theory is that it took Hollywood 10 years to recover from the shock that television inflicted. Yes, developments like Cinemascope and color film becoming standard helped to bring people back to the movies. Still, once the powers that be were convinced that people still wanted to go the movies on a regular basis, they were more willing to give directors like Scorsese, Coppola, Lucas and others a chance.

Willingness to explore social issues
Somewhat related to the above, by the 1970’s, the old school of studio heads had died out and those that came after were willing to okay movies that weren’t just about “Boy Meets Girl”.  The movies of the decade dealt with the aftermath of the Vietnam war (The Deer Hunter, Coming Home), political corruption (All The Presidents’ Men), the effect of television in our lives (Network), racism and the drug trade (Superfly) and the list goes on. These films took on issues and the directors and other involved with the film weren’t afraid to face some controversy.

The Blockbuster Film
I also feel the need to mention that the blockbuster film, as we know it, came about in the 1970’s. Films like Jaws, Star Wars, Close Encounters of the Third Kind and Superman weren’t just successful films. They broke box office records, had catch phrases and led to merchandising deals and sequels. Since then, it is rare that a blockbuster film doesn’t have some merchandise related to it, does very, very well at the box office and have a sequel or two in the works.

So, while the 1970’s may not be the definitive best decade in film, it does stand out from the decades that came before and from those that came afterwards.

Sources:

http://www.theauteurs.com/topics/2849?page=3

http://movieprojector.blogspot.com/2009/08/best-movies-of-1970s.html

http://www.filmsite.org/1939.html

http://www.imdb.com/name/nm0000217/bio

http://www.imdb.com/name/nm0000338/bio

http://www.imdb.com/name/nm0000184/bio